Reinvigorating music again.
WHITE’s (Lewis Andrew, Leo Condie, Hamish Fingland, Kirstin Lynn and Chris Potter) first album is a much welcomed revival of arty, slightly twisted merging of electro with groovy dirty rock and a bit of the dramatic.
Fittingly the opener is Living Fiction (the bands first ever single) is a great opener and introduction to the band as it is upbeat and hip with many elements one will certainly grab hold of you and make you move.
This Is Not A Love Song? is not a song to get you jigging but it still fits in with all the other tracks, having a darker tone thanks to the ‘Duh-du-duuuu’s (it’s better on the record), a slower tempo pushed forward by an acoustic guitar whilst a noticeable electronic (of some kind) plays in the left speaker/head/earphone that really is a nice addition to the track. Directly following this is the super energetic Be The Unknown which has poppy ‘oooo’s to bop to plus a heavily distorted guitar solo to boot reinforcing the bands talents plus their willingness to merge genres to great effect.
The string of songs from One Night Stand Forever to Sweat (a thumping monstrous full on electro track that I didn’t see coming) and How Can You Get Love So Wrong? (a modern 1980s-esc ballad) together can tell a story of a quick one night fling gone in a direction that is a bit more than a one night stand. But that would be oversimplifying the meanings behind them. Especially How Can You Get Love So Wrong? as it was written back in 2014,
‘I wrote this in 2014 when Scotland was under a constant barrage of ‘lovebombs’ from the British government, in that peculiarly sado-masochistic manner so beloved, apparently, of the Conservatives. Tough love, I guess. I was fascinated by their ineptness so this is, in part, for them. With all my love.’
Sound wise these three tracks could be the perfect ones to show the diversity that rings trough this record. It is more diverse than most other bands have in three or four outings. Though I do feel a little wrong in singling out these songs as they are all outstanding, everyone is distinct, stylish, hitting you right in the dance initiation drive that may have been dormant for a while or last night. Quick bit about Hit,Hit, Hit is so good I appreciate the aggression in this one.
One Night Stan Forever is the most creative album to come around in a long, long time. If you don’t at least check it out then believe me that is a hell of a mistake. Don’t let this pass you by a band like this don’t come around to often.